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The Symphonisches Praeludium is something of a myslery, if not by Mahler himself, it certainly hails from the Vienna of his student days, it was unearthed in the late 1970s in the Austrian National Library: a piano transcription, by ore Heinrich Tschuppik, made from what the title-page described as a score "from the year 1876" supposedly by Anton Bruckner that had been copied 'by the Bruckner-pupil Rudolf Krzyzanowski. The sound and style of the Prelude certainly has much of Bruckner about it, and not a little of Wagner. Structural peculiarities nevertheless led some musicologists to hear in it the work of a younger composer inspired by Bruckner, rather than Bruckner himself. Since Rudolf Kr^yjanowski was a close and admiring student friend of Mahler's, the tantalizing possibility arose that it might just be one of Mahler's own lost student compositions. The mystery may never be solved. As thematic connections are known to exist between Mahler's later works and the symphony by Hans Rott, another of his student companions, it would be reasonable to assume that there was a fairly close community of styles and even musical ideas within Mahler's circle of the later 1870s, whose members influenced and inspired each other. Mahler must surely have known and identified with this expansively brooding symphonic movement, even if he did not actually compose it himself. If it is an unltnown worh; by Bruckner, then its survival in a copy by one of Mahler's Friends makes it all the more valuable as an indicator of the kind of music in which they steeped themselves and out of which the individual style of their most famous colleague would develop. The orchestrator here is Albrecht Gursching.
Просто вы с биографией Нестьева не знакомы, не знаете через что ему пришлось пройти, о такой музыке многие просто боялись в советское время писать, а он был смел, и изворотлив, чего и вам желаю)
Пожалуйста! У Муке музыка примерно такая, которую Дебюсси писал в 80е. Оригинальная версия сонаты есть, например здесь http://intoclassics.net/news/2010-09-03-18349
Пожалуйста! А мне, кроме Перезвонов, Скоморохов и песни про "Дайте музыку..", которую Сенчина и Хиль пели, если честно, ничего особенно не вспомнилось пока, мало слушал Гаврилина.