Ксавьер Сабата (контратенор)- Светские кантаты и арии - 2013
16:02
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In the baroque era music was very much part of everyday life. For rulers and aristocrats it was also a means of representation. They competed with each other to attract the best composers and musicians. They sometimes expressed their appreciation or even admiration for the musicians in their service. That doesn't imply they dealt with them on terms of equality, let alone friendship. Musicians were rather low on the social ladder and were expected to know their place. This explains why musically-gifted aristocrats were not expected to compose. If they did, they called themselves dilettanti. That has given this disc its name as it includes cantatas by composers from the higher echelons of society.
¶ Giacomo MACCARI (1700-1744)
Non mi si dica più
¶ Emanuele D'ASTORGA (1680-1757?)
In queste amene selve
¶ Vincenzo BENEDETTI (1683-?)
La Gelosia
¶ Giovanni Maria RUGGIERI (1665-1725)
”Armida abbandonata”
Deh m'adita ò bella Dea, aria arr for voice and bc
¶ Diogenio BIGAGLIA (1676-1745)
Più ch'io cerco del mio bene
¶ Giovanni Maria RUGGIERI
”Armida abbandonata”
Vinto son della mia fede, aria arr for voice and bc
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