Ferrier didn’t tour much in Italy. Her debut there was in July 1950 with Karajan and the Vienna Symphony in the Mass in B minor and she returned the following year. Her repertoire then centred on arias from Rinaldo and Xerxes and Kindertotenlieder (conductors, Antonio Pedrotti and Klemperer). This recital was recorded on 6th February by RAI Milan with accompanist Giorgio Favaretto. What will be most exciting to Ferrier admirers is that five of the items do not otherwise appear in her known discography nor, at the moment, are they known to exist elsewhere. For the record then – Semele, the Monteverdi, Lotti, the Brahms Sonntag and the traditional The Spanish Lady are all discographic firsts, and lasts, even in this imperfect form of a live radio recital.
George Frideric HANDEL (1685-1759)
Semele – Where e’er you walk
Atalanta - Like as the love-lorn turtle
Henry PURCELL (1659-1695)
The Fairy Queen - Hark! The echoing air
Claudio MONTEVERDI (1567-1643)
Arianna – Lasciatemi morire
Antonio LOTTI (c1667-1740)
Arminio - Pur dicesti
Christoph Willibald GLUCK (1714-1787)
Orfeo – Ah diletta Euridice….
Franz SCHUBERT (1797-1828)
Lachen und Weinen D777
Johannes BRAHMS (1833-1897)
Sonntag Op. 47 No. 3
Hubert PARRY (1848-1918)
Love is a bable Op. 152 No. 3 [English lyrics Set Six]
Charles Villiers STANFORD (1852-1924)
The Fairy Lough Op. 77 No. 2
TRADITIONAL
Ca’the Yowes
The Spanish Lady
Johann Sebastian BACH (1685-1750)
St Matthew Passion – Four excerpts
Du lieber Heiland; Erbarme dich, mein Gott
Erbarmes Gott; Ach Golgotha
Kathleen Ferrier, contralto
Giorgio Favaretto, piano
All items except Bach, recorded by RAI Milan February 6, 1951;
Vienna Symphony Orchestra/Herbert von Karajan (Bach) – recorded live June 9, 1950.
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