Vorísek was born in Bohemia in the year Mozart died and, in thrall to Beethoven, moved to Vienna in 1813. Although Beethoven is the most obvious influence on his music, what is more interesting are the ways in which Vorísek often seems to anticipate Chopin, Schumann and, more especially, Schubert, with whom he shares a gift for unforced lyricism. Like Schubert, Vorísek exploited the impromptu form, and it is likely that Schubert knew his ‘Fantaisie’, which is in the same key as the ‘Wanderer Fantasy’, C minor. This is the most impressive piece here, harmonically adventurous, dramatic and confident. Pizarro is a compelling advocate and expertly realises the overarching clarity of Vorísek’s musical arguments.
¶ Fantaisie, Op. 12
¶ Sonata in B flat minor, Op. 20
¶ Variations in B flat, Op. 19
¶ Impromptus, Op. 7
¶ Twelve Rhapsodies for piano, Op. 1
Artur Pizarro, piano
Recording: March 18-20, 1994 (CD1), March 1995 and January/August 1996 (CD2),
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