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Reincken - Hortus Musicus (1687) (Ensemble Les Cyclopes, 1996)


Йоханн Адам РАЙНКЕН (1623 – 1722)
HORTUS MUSICUS
САД МУЗЫКИ
1687
6 партит для 2 скрипок, виолы да гамба и b.c.

1-5. Partita I, A minor
6-10.   Partita II, Bb major
11-15. Partita III, C major
16-20. Partita IV, D minor
21-25. Partita V, E minor
26-30. Partita VI, A major

Ансамбль  Les Cyclopes:

Manfredo Kraemer - violin
Laura Johnson - violin
Guido Balestracci - viola da gamba
Brian Feehan - theorbo & baroque guitar
Bibiane Lapointe - harpsichord
Thierry Maeder - organ-positiff


Total Time: 74'40
Recording Date: November 27-30, 1996

This release draws on recent research showing that Reincken, much of whose music has not survived, was a major stylistic influence on the young Bach, and you can hear it in the six partitas or suites presented here. Reincken's ability to combine contrapuntal art with new French and Italian forms may have impressed Bach, and there are several more specific signs of contact. In place of the Corelli-style harmonic sequence Reincken tends to use a harmonic ostinato with several simultaneous pedal points. This is both more complex and more dynamic; a good example is heard in the Allemand Allegro of the Partita No. 2 in B flat major. The final gigues, too, are fugal or heavily contrapuntal in the Bach manner. Each suite begins with an ambitious two-section movement (slow and fast) marked "Sonata," and the entire effect is unlike either Italian music or the French suites of the day.
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