Track 10 is Tulerunt Dominum meum by Nicolas Gombert.

Thank you very much.

Luxurious!

Many thanks for this wonderful concert. The mystery track is Gombert's "Lugebat David Absolon". There are alternative versions with the text "Tulerunt Dominum Meum". It is not known who fitted this text to Gombert's motet, and it is not likely to have been Gombert, because the text fits the words quite badly.
See: http://www1.cpdl.org/wiki/index.php/Lugebat_David_Absalon_%28Nicolas_Gombert%29

Thank you very much for your explanation. I checked it. It is "Tulerunt Dominum meum". There are two indications to prove it:

1. the playtime: in opposite to live performed rock music the runtime of a track varies not so much. In opposite to an Iron Maiden concert there are no extended guitar solos and so forth. http://www.youtube.com/watch?v=n1uTzJuCAXQ

Playtime of the video is 5.53 min., playtime of track 10 is 4.47 min. Playtime for "Lugebat David Absalon" is much longer: 9.18 min. http://www.youtube.com/watch?v=h0Uidb829ik

2. the latin text: I defenitly hear in track 10: "Dicunt ei angeli: mulier, quid ploras? Surrexit sicut dixit." http://www1.cpdl.org/wiki/index.php/Tulerunt_Dominum_meum

This phrase can't be found in "Lugebat David Absalon". http://www1.cpdl.org/wiki/index.php/Lugebat_David_Absalon_%28Nicolas_Gombert%29

You can prove these two indications with a concert program by Stile Antico: http://www.operanorth.co.uk/productions/music-stile-antico

But before your informations here in the comments I wasn't able to find anything. So thank you very much. Radio SWR2 provides misinformations: http://tinyurl.com/mzxczjy

I know Lugebat David very well - I have sung it several times. So I recognised the music from the first notes, but I did not know of this version until today. Thank you for this very intersting concert. It is really fascinating to hear the differences between composers born around the same time (1500) but in different musical traditions

Regarding Gombert's Tulerunt Dominum meum.

1. I recognised the piece because - just like Ronann - I knew Lugebat David. It was however quite clear that the choir was singing Tulerunt Dominum meum (Mary Magdalene meeting the resurrected Christ).
Lugebat David has a second part, as well, which does not form part of Tulerunt Dominum.
Tulerunt Dominum is, however, a contrafactum itself. The piece exists in a French chanson version: Je prens congié. This chanson version - which is musically identical to Tulerunt Dominum - has been recorded by Ensemble Clément Janequin (on the CD "Une fete chez Rabelais") and by the Huelgas Ensemble (Gombert: Music from the Court of Charles V).