Luigi Boccherini (1743 – 1805) – Six quintets for flute
& strings, Op.19, G. 425-30 (1774) – Carlo IPATA (flute) & Auser Musici
(Recording of 2007)
Луиджи Родольфо БОККЕРИНИ
(1743 – 1805)
Шесть флейтовых
квинтетов, Ор.19,G. 425-30 (1774)
01. Quintet No. 1 in E flat major (G 425): Allegro con moto
02. Quintet No. 1 in E flat major (G 425): Minuèt
03. Quintet No. 2 in G minor (G 426): Allegro e con un poco
di moto
04. Quintet No. 2 in G minor (G 426): Minuetto con moto
05. Quintet No. 3 in C major (G 427): Andante non tanto
06. Quintet No. 3 in C major (G 427): Rondeau grazioso
07. Quintet No. 4 in D major (G 428): Adagio assai
08. Quintet No. 4 in D major (G 428): Minuetto con moto
09. Quintet No. 5 in B flat major (G 429): Allegro moderato
10. Quintet No. 5 in B flat major (G 429): Presto assai
11. Quintet No. 6 in D major (’Las Parejas’) (G 430):
Entrada – Marcia
12. Quintet No. 6 in D major (’Las Parejas’) (G 430): Galope
13. Quintet No. 6 in D major (’Las Parejas’) (G 430): Entrada – Marcia
КарлоИПАТА,флейта
Ансамбль Auser Musici
Recorded at Oratorio di S. Domenico, Pisa, Italy
(2007)
Общее время
звучания: 69:07
Auser Musici:
Carlo Ipata (flute), Luca Ronconi, Francesco La Bruna
(violins),
Teresa Ceccato (viola), Luigi Puxeddu (cello)
Auser Musici is a vocal and instrumental ensemble which, taking
its name from an antique river in the plain of Pisa, brings together
instrumentalists and singers with an international reputation for historical
performance practice. This is their first recording for Hyperion and future
recordings are planned, including discs of music by Lidarti and Porpora. This
first disc of Boccherini’s flute quintets is very much the fruit of their own
advanced research into lesser-known chamber works by the composer. The six Op
19 quintets cover a wide range of character and display all the resources,
technical as well as expressive, common in the composer’s major works.
Boccherini writes virtuoso parts for all instruments, including the cello, and
the flute writing recalls his masterly use of the instrument in the
orchestration of his symphonies.
______________________
"These are delightful works played with a persuasively affectionate
period-instrument style, with a felicitous lead from the nimble and gently
expressive flautist, Carlo Ipata. ”-
Gramophone Magazine, April 2008
"Listening to these six quintets, one is immediately captivated by a
charm and invention that, while of a different nature, easily equals that of
Haydn or Mozart … the playing is exceptional … beautifully recorded in the
Oratorio di S Domenico, Pisa, this is an auspicious debut for Auser Musici... ”- International
Record Review
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