Monteverdi (Монтеверди) - The Sacred Music [King's Consort] Vol.1
10:27
Sacred Music by Claudio Monteverdi Performer: Charles Daniels (Tenor),
James Gilchrist (Tenor),
Carolyn Sampson (Soprano),
Rogers Covey-Crump (Countertenor),
Nicholas Mulroy (Countertenor),
Robert Evans (Bass),
Peter Harvey (Bass),
Rebecca Outram (Soprano)
Conductor: Robert King Orchestra/Ensemble: King's Consort Period: Baroque Date of Recording: 02/2003 Venue: St. Jude on the Hill, Hampstead, England Length: 1 Hours 16 Mins. Format: FLAC
Considering his influence
and output it's incredible that, with the exception of the 1610 Vespers
(of which there are nearly two dozen recordings in the current
catalog!), Monteverdi's sacred music is so rarely given substantial
attention, particularly in the form of dedicated programs. This new
project from Robert King and Hyperion, however, promises nothing if not
"substantial attention", while, on evidence of this Volume 1, also
delivering first-rate performances and splendidly vibrant
sound--intimate, detailed, bathed in a rich array of instrumental and
vocal color, the tuttis full-bodied and strong, the solos and small
ensembles stylishly expressive and carefully balanced. The music
comes from the collection Selva morale e spirituale issued by the
composer in 1640/41, and according to John Whenham's excellent notes it
consists of "the main items that would have been performed in
polyphony...for First Vespers of Christmas", in settings for four to
eight voices. The program concludes with the collection's lovely
four-part Mass, one of the three intact examples of Monteverdi's work in
the genre.
Success in this music depends largely on the soloists, and in this case
King has assembled an ideal group, some of the world's finest
early-music choral and solo singers: sopranos Carolyn Sampson and
Rebecca Outram, high tenors Rogers Covey-Crump, Nicholas Mulroy, and
Daniel Auchincloss, tenors Charles Daniels and James Gilchrist, and
basses Peter Harvey and Robert Evans. Their expertise is evident right
from the beginning eight-voice Dixit Dominus, where they all get a
chance to shine in numerous interludes between choral sections. This
pattern of alternating solos (or duets) with chorus continues in
subsequent pieces--two tenors and a bass take center stage in the
Confitebor Primo; two sopranos, high tenor, two tenors, and two basses
trade lines in the Beatus vir, etc.--with continuo instruments
accompanying the solos and larger groups of instruments joining the
tutti sections. The solos are invariably characterful, nicely and
tastefully ornamented, and seem committed to illustrating the texts.
Especially impressive is how well "chorographed" are the interactions
among soloists and between solo singers, choir, and instruments.
Needless to say, the choir and instrumental ensemble are outstanding,
performing not only with required precision and energy but with
attention to balances and subtlties of phrasing we don't often get in
such multilayered productions. Highlights include the wonderfully
lilting march of the Beatus vir, the Christe redemptor omnium, with its
lovely interweaving melodic writing for two tenors and bass, accompanied
by violins, chitarrone, and organ, and the Mass, one of the finest
examples of Monteverdi's mature style. Much credit also must go to
conductor King for his assured leadership in music that can come off
rather routine if matters of style--especially tempo and "dramatic"
aspects of text expression and articulation--are not properly understood
and managed. Here he proves exactly the right person for the job--and
with these excellent singers and players at his command, we can look
forward to some mighty good Monteverdi. [3/6/2004]
--David Vernier, ClassicsToday.com
Works on This Recording:
1. Selva morale e spirituale: Dixit Dominus I Written: by 1640; Italy Length: 9 Minutes 48 Secs. Language: Latin
2. Selva morale e spirituale: Magnificat a 8 in G minor Written: by 1640; Italy Length: 13 Minutes 43 Secs. Language: Latin
3. Missa de capella a 6 "In illo tempore" Written: by 1610; Mantua, Italy Length: 19 Minutes 3 Secs. Language: Latin
4. Selva morale e spirituale: Confitebor tibi Domine a 3 Written: by 1640; Italy Length: 8 Minutes 36 Secs. Language: Latin
5. Selva morale e spirituale: Beatus vir a 6 Written: by 1640; Italy Length: 7 Minutes 42 Secs. Language: Latin
6. Selva morale e spirituale: Laudate pueri a 5 I "concertato" Written: by 1640; Italy Length: 7 Minutes 6 Secs. Language: Latin
7. Selva morale e spirituale: Deus tuorum militum a 3 Written: by 1640; Italy Length: 4 Minutes 5 Secs. Language: Latin
8. Selva morale e spirituale: Laudate Dominum a 5 "concertato" Written: by 1640; Italy Length: 4 Minutes 37 Secs. Language: Italian
Интересно, это другое издание или вообще другая запись? http://intoclassics.net/news/2012-07-27-13702 Материал частично пересекается.
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