I Musici делали две записи кончерто гроссо Корелли, или это разные годы издания?
http://intoclassics.net/news/2010-06-16-12441

Прекрасно! Спасибо!

Вот что писал в своё время "Грамофон" об этой записи:

There is some splendid string playing here: alert, strong, well balanced, and ready to allow an unusual degree of dynamic contrast to the music. Additionally, the number of strings used allows arguably exactly the right degree of contrast between solo and tutti: clearly to be distinguished, yet neither out of scale with the other. The distinction is helped by a contrast in the keyboard element of the continuo: in general, harpsichord for the solo passages, organ for the tuttis. The harpsichord adds little, as it happens; perhaps its backward placing—nothing new with I Musici—discouraged the player from any specially exacting use of the imagination. The organ (a wooden—literally—imitation by Armagni of a baroque model) is more audible, and contributes an effective support to what is already a pretty strong sound.

In total the performances are not only strong but stylish: ornamentation is scattered only thinly, but this could not necessarily be rated a defect in these particular concertos. There is a bravely imaginative reading of the Fourth Concerto's finale, where Corelli's notation of even quavers is read as indicating a triplet crotchet and quaver effect in order to tally with the prevailing triplet rhythm. Reliable authorities have hinted for some time that this was Corelli's intention (and that of other Italian composers of the period); certainly putting the theory into practice does allow the music on this occasion a new vigour. Added to the more general virtues—which include good, clear recording—this final stroke leaves no doubt that this must be a strongly recommended issue.
– Gramophone

http://hi-copy.livejournal.com/tag/i%20musici

Качественный ape+cue от Минора.

Спасибо большое!

Очень хорошая запись. Апекуи здесь не нужны. Спасибо!

Восстановите пожалуйста ссылку. Спасибо.