Добавил туда также 3-й том серии "Музыка Австрии и Германии XIX века" (2003)

Авторы раздела о Вагнере:

Н. С. Николаева. Проблема Вагнера на современном этапе. "Кольцо нибелунга"
Г. В. Крауклис. Начало пути. Ранние оперы Вагнера. Оперы 40-х годов ("Тангейзер", "Лоэнгрин")
В. Г. Гамрак-Курек. "Летучий голландец"
И. В. Коженова. "Нюрнбергские мейстерзингеры"
A. А. Филиппов. "Тристан и Изольда". "Парсифаль"

Еще одна книга: Джордже Бэлан "Я, Рихард Вагнер" (беллетризованная "автобиография").

И еще одна:

Bartlett, Rosamund. Wagner and Russia (1995)

Introduction

PART 1: WAGNER AND NINETEENTH-CENTURY RUSSIA
1. Reception and performance history, 1841-1863
- Russia encounters the 'music of the future'
- Wagner's visit to Russia
- Wagner's concerts in the Russian press
2. Reception and performance history, 1863-1890
- The first Russian Wagner productions
- Bayreuth and its Russian critics
- The first performances of the Ring in Russia
- Wagner and nineteenth-century Russian literature

PART 2: WAGNER AND RUSSIAN MODERNISM
3. Reception and performance history, 1890-1917
- The role of Russkaya muzykal'naya gazeta
- Wagner and the'Silver Age' of Russian culture
- The first Russian Ring and the rise of Russian Wagnerism
- Meyerhold's production of Tristan und Isolde
- From Wagnerism to Wagnerovshchina
- Wagner and Russian music in the pre-revolutionary period
4. Wagner and the Russian Symbolists: Vyacheslav Ivanov
- Wagner in Ivanov's life
- Ivanov's concept of music
- Wagner and Russian Symbolism
- Ivanov's art of the future
- Wagner in Ivanov's poetry
5. Wagner and the Russian Symbolists: Bely, Medtner and Ellis
- Music dramas in prose: Bely's 'Symphonies'
- Medtner and Bely: a Wagnerian friendship
- The slaying of the dragon: Bely as Siegfried
- Bely, Medtner, Ellis and Musaget
- Ellis and the 'Russian Wagner'
- Bely, Anthroposophy and the search for the Grail
6. Wagner and the Russian Symbolists: Aleksandr Blok
- Wagner in Blok's life
- The forging of the sword: Wagnerian images in Blok's poetry
- Wagner and the regeneration of Russian theatre

PART 3: WAGNER AND SOVIET RUSSIA
7. Reception and performance history, 1917-1941
- The renaissance of Wagner
- Wagner and art for the people
- Wagner productions in the age of Constructivism
- Wagner and the cultural revolution: the problem of ideology
- Wagner and the Nazi-Soviet pact: Eisenstein's Die Walkilre
- Wagner and Russian literature during the pre-war Soviet period

8. Reception and performance history, 1941-1991
- From the Zhdanovshchina to the 'Thaw'
- From the Brezhnev years to glasnost
- Wagner and Russian literature during the post-war Soviet period

Appendices

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