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Michael Spyres - Tribute to Gilbert Duprez / Майкл Спайрз - Посвящение Жильберу Дюпре (Studio) 2017 + Famous Tenor Opera arias (Studio) 2010
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MICHAEL SPYRES ON GILBERT-LOUIS DUPREZ
ESPOIR/HOPE: I believe this is one of the most important words in the history
of language. Hope is what propelled my dream of becoming a singer and fuelled
my desire to learn and to live in foreign countries. When I began my career I read
all about a daring tenor called Duprez and how he moved to Italy to retrain his
technique with the hope of becoming a new type of singer. Duprez ultimately
achieved his goal and went into the history books.
I feel a special kinship to this almost mythical performer who like myself
traversed the globe in the hope of fnding a new technique. Duprez had the
daunting task of retraining in a technique which for the frst time in singing
history implemented the chest voice above the passaggio; coincidentally, I had a
similar struggle to fnd this technique since I began my career as a baritone and
was forced to change my technique completely in order to become a tenor. I still
remember thinking, ‘How can anyone sing this impossible music written for him?’
It was a repertoire that challenged me more than any other to push the limits of my
singing; and now, years later, that sentiment remains unchanged.
One of the greatest delights of my life is looking behind the curtain to fnd the
truth, and while researching and choosing repertoire for this album I uncovered
many falsehoods. I now see Duprez as a very diferent singer from the one I
thought I knew. True, he was a heroic tenor who changed the colour palette of
the tenor voice; but, as you will discover within these ofen extremely delicate and
beautiful compositions, he was also a true lyrical tenor. I hope you enjoy listening
to this recording as much as I enjoyed making it.
01. Rossini, Othello
‘Venise, ô ma patrie’
02. Donizetti, Rosmonda d’Inghilterra
‘Dopo i lauri di vittoria’
03. Halévy, Guido et Ginévra
‘Dans ces lieux’
04. Verdi, Jérusalem
‘L’infamie! prenez ma vie!’
05. Halévy, Guido et Ginévra
‘Tu seras donc pour moi’ (with Joyce El-Khoury)
06. Donizetti, Dom Sébastien
‘Seul sur la terre’
07. Auber, Le Lac des fées
‘Ils s’éloignent, je reste’
08. Berlioz, Benvenuto Cellini
‘Seul pour lutter’
09. Donizetti, La Favorite
‘La maîtresse du Roi...’
10. Halévy, La Reine de Chypre
‘De mes aïeux ombres sacrées’
11. Donizetti, Lucia di Lammermoor
‘Tombe degli avi miei’
12. 'Verrano a te' (with Joyce El-Khoury)
Michael Spyres, Tenor
Hallé Orchestra,
Carlo Rizzi, сonductor.
Recorded at Te Stoller Hall, Chetham’s School of Music, Manchester, February 2017.
1. Gaetano Donizetti - La fille du regiment, Act II: Cavatine: ''Ah! mes amis, quel jour defete … Pour mon ame'' [04:08]; 2. Igor Stravinsky - The Rake's Progress, Act I: Recitative: ''Here I stand…'' [02:43]; 3. Gioachino Rossini - Il barbiere di Siviglia (The Barber of Seville), Act II: Aria: ''Cessa di piu resistere'' [07:44]; 4. Gaetano Donizetti - L'elisir d'amore (The Elixir of Love), Act II: ''Una furtiva lagrima'' [04:34]; 5. Wolfgang Amadeus Mozart - Don Giovanni, K. 527, Act II: Aria: ''Il mio tesoro intanto'' [04:25];
6. Georges Bizet - Les pecheurs de perles (The Pearl Fishers), Act I:
''Je crois entendre encore, cache sous les palmiers'' [04:22]; 7. Jules Massenet - Werther, Act III: ''Pourquoi me reveiller'' [02:54]; 8. Richard Strauss - Der Rosenkavalier, Op. 59, TrV 227, Act I: ''Di rigori armato il seno'' [03:17]; 9. Giacomo Puccini - La boheme, Act I: ''Che gelida manina'' [04:41]; 10. Giuseppe Verdi - Rigoletto, Act III: ''La donna e mobile'' [02:15]; 11. Gaetano Donizetti - Lucia di Lammermoor, Act III: ''Fra poco a me ricovero'' [07:29]; 12. Pyotr Il'yich Tchaikovsky - Eugene Onegin, Op. 24, Act II: ''Kuda, kuda, kuda vi udalilis'' [06:16]; 13. Francesco Cilea - L'arlesiana, Act II: ''E la solita storia'' [04:22]; 14. Franz Lehar - Das Land des Lachelns (The Land of Smiles), Act II: ''Dein ist mein ganzes Herz!'' [03:45].
Michael Spyres, tenor, Moscow Chamber Orchestra, Constantine Orbelian, conductor.
Recorded at Pavel Slobodkin Center for the Arts, Moscow, November 2010.
Спасибо автору за выкладку! Послушал, так сказать, приобщился.. "Вода без газа" и даже сиропу нет...
4.alexander grebennikov (ag_spb) (09 Сентября 17 18:49)
[Материал]
Да, техничен, благородная манера звукоизвлечения, но зацепиться совершенно не за что. Тембр очень очень очень скромный, темперамент еще более, фраза не выдающаяся. Автору - спасибо, имя сейчас громкое, все надо слушать самому!
"Зацепиться" есть за что - именно за совершенную технику бельканто. Спасибо!
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