The nuns of the chief Parisian convents of the 17th century cultivated music as a tool of devotion essential to their ceremonies. The Visitandines—the nuns of the congregation founded by François de Sales and Jeanne de Chantal—were no exception. In front of a fervent assembly, and sometimes accompanied by a few instruments, they would be heard on important feast days in works by the finest musicians: choral masses or petits motets for solo voices. This recording presents a musical re-enactment of a religious service as might have been heard in such a setting. Les Boréades and six sopranos are conducted for the occasion by the French early-music specialist Hervé Niquet.
¶ François Cosset (v.1610-1664)
”Super Flumina Babylonis”
bonus
¶ Guillaume Gabriel Nivers (1632-1714) : Motet
¶ Étienne Moulinié (1599-1676) : Cantique
¶ Pierre Bouteiller (v.1655-ap.1717) : Kyrie de la Missa
¶ Nicolas Clérambault (1676-1749) : Offertoire
¶ Jean-Baptiste Lully (1632-1687) : Élévation
¶ Jean-François Lalouette (1651-1728) : Motet
¶ Anonyme (XIe siècle)
”Les Boréades Montreal”
Hervé Niquet, conductor and organ
Francis Colpron, recorders, traverso
Hélène Plouffe, violin
Susie Napper, viola da gamba
Recorded at the Église Saint-Augustin, Saint-Augustin de Mirabel, Québec, December 17-20, 2001.
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