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Текущая дата: Воскресенье, 22 Апреля 18, 10:01
Главная страница » "Неформат" » Музыка (аудио) » The Dayton Selby Trio, Featuring Willene Barton The Feminine Sax
The Dayton Selby Trio, Featuring Willene Barton The Feminine Sax

Теги: Soul Style: Soul-Jazz, Jazz, funk

почитать

http://bluesandrhythm.co.uk/documents/BR289-Willene-Barton.pdf


https://www.thisismyjam.com/song/the-dayton-selby-trio-featuring-willene-barton/bartons-blues


послушать

https://www.deezer.com/ru/artist/4847742




The Dayton Selby Trio,
Featuring Willene Barton
The Feminine Sax

Label: Design Records – DLP 37, 
Format: Vinyl, LP, Album 
Country: US
Released: 1957
Genre: Jazz, Funk / Soul
Style: Soul-Jazz

Tracklist

A1 Too Close For Comfort
A2 Blues #2
A3 Blues #1
A4 Little Brown Jug
A5 Dayton's Dance
A6 I'll Never Stop Loving You
B1 Blues #3
B2 Seven Eleven
B3 Breakin' The Blues
B4 Blue Moon
B5 In The Still Of The Night
B6 Barton's Blues

Credits

Cover [Cover Photo By] – Philip Lustig
Liner Notes – Roy Freeman
Organ – Dayton Selby
Saxophone – Willene Barton
Notes
Feminine Sax - Rock "N" Rhythms of 
the Dayton Selby Trio featuring Willene Barton 

Design Records Spectra Sonic Sound


Willene Barton (* um 1930 [1] in Georgia) is an American jazz saxophonist (tenor saxophon).

Barton came to New York City at the age of ten, where she attended Manhattan High School.
 She learned saxophone largely autodidactically, but was also supported by Eddie Durham,
 who made an all-girl band in the 1940s and was previously at the International Sweethearts of Rhythm.
 In 1951 she began to play professionally as a member of the successor of the Sweethearts under Anna Mae Winburn.
 At that time, she also tried in cutting contests with the leading Tensorsaxophinist Vi Burnside,
 but without coming to her at that time. But they had a good relationship with each other.

From 1953 to 1955 she had her own band with Myrtle Young, a former tenor saxophonist of the Sweethearts,
 and in 1955 her own quartet Four Jewels with Bu Pleasant (piano), Gloria Coleman (then Gloria Bell),
 bass. Barton was at that time a friend of Eddie Lockjaw Davis, the temporary agent of her. She also met Sonny Stitt,
 Ben Webster, Illinois Jacquet and Gene Ammons.
 In 1956 she formed a male band (with the exception of her) of George Tucker, bass, and Gildo Mahones,
 with whom she sang at the Connie's Inn in Harlem. Afterwards, she played for six years with organist Dayton Selby.
 In 1957, she was with Melba Liston on Bermudas for several months, when she directed her own all-women band. 
In the 1960s she played in a band with the tenor saxophonist Elsie Smith, who had played at Lionel Hampton.
 Also in the 1960s she gave up her bands largely because of the overpowering 
of rock and pop music. She took a day job and only occasionally appeared.

It was not until the beginning of the 1980s that she began to form her own bands again.
 She performed at the Kansas City Women's Jazz Festival and 1981 at the Kool Jazz Festival in New York at Carnegie Hall.
 She also toured with Great Ladies of Jazz by Sandra Reeves Phillip in Europe 
(France, Switzerland) and a year later also performed in Tunisia and the North Sea Jazz Festival.

She recorded two albums with the Dayton Selby Trio (The Feminine Sax, There she blows, 1957).



https://yadi.sk/d/SSWnJLgg3TgmdK 
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Всего комментариев: 1
1. геннадий (gensem16)   (24 Марта 18 09:12)
СПАСИБО!!! appl appl appl bravo bravo

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